{"id":6837,"date":"2023-11-16T13:46:59","date_gmt":"2023-11-16T13:46:59","guid":{"rendered":"http:\/\/demo.wpzoom.com\/inspiro-lite-blocks-xml\/?page_id=6837"},"modified":"2026-04-16T08:56:35","modified_gmt":"2026-04-16T08:56:35","slug":"about","status":"publish","type":"page","link":"https:\/\/www.stainedglassyork.co.uk\/index.php\/about\/","title":{"rendered":"About Me"},"content":{"rendered":"\n
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ABOUT HELEN<\/h2>\n\n\n\n

My training, 25 years as a stained-glass conservator, self-employment & creativity in glass, teaching heritage craft skills<\/h2>\n\n\n\n
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My background<\/h2>\n\n\n\n
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Training<\/h2>\n\n\n\n

After graduating from my first degree in 3D Design: Glass in 1994, I started the beginning of my working life at Norgrove Stained Glass Studios in Worcestershire. Over the following six years I learnt and honed my stained-glass craft skills there, and developed a great appreciation for the quality hand-made glass we used.  I was also encouraged to apply for the SPAB William Morris Travelling Craft Fellowship<\/a> during this period, achieved in 2001. This introduced me to the broader world of historic buildings conservation, and has been an ever-present support throughout my career.<\/p>\n\n\n\n

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Stained Glass Conservation<\/h2>\n\n\n\n

I worked for the next fifteen years as a stained-glass conservator, painter, and glazier, both on-site removing and fitting, and in the studio.<\/p>\n\n\n\n

I continued to learn and hone the practical techniques of this absorbing medieval craft, and have experience in various workshops throughout the UK. This includes two years at the Victoria & Albert Museum, London, where I was specifically charged with conserving and preparing panels for the Sacred Silver & Stained-Glass Galleries as part of the museum\u2019s Future Plan, the Medieval & Renaissance Galleries and the Glory of Gothic exhibition.<\/p>\n\n\n\n

I spent a further twelve years working in the cathedral environment, repairing the stained glass at York Minster.<\/p>\n\n\n\n

Eight of these years were heavily involved in all aspects of the conservation of the Great East Window, made by John Thornton between 1405 & 1408.<\/p>\n\n\n\n

Alongside the practical work I was heavily involved with the general public, hosting some of the thrice weekly tours.<\/p>\n\n\n\n

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\"Helen<\/figure>\n<\/div>\n\n\n\n
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Digital Design Skills<\/h2>\n\n\n\n

2016 heralded a change of direction as I accepted the position of Conservation, Documentation, Research, & Media Coordinator for HolyWell Glass, a stained-glass conservation company in Wells, Somerset. My role focused on digital documentation of all processes involved in each stained-glass project, using Adobe Photoshop, Illustrator, and In-Design, as well as overhauling the outdated website, developing social media platforms, historical research, and writing conservation reports and articles.<\/p>\n\n\n\n

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Teaching<\/h2>\n\n\n\n

I have always been very craft focused, and alongside my full time work I began to teach stained glass at evening classes and full day workshops, for Pennie Lordan at York Arts and Crafts. I was also the designer and project manager for an eight-year volunteer project to create a 35m long mosaic pathway for the driveway at Clifton Parish Church, York, from 2008-2016.<\/p>\n\n\n\n

Currently I teach Stained Glass, and Painting on Glass, for Yorkshire based ‘Wolds Heritage Workshops’ from 2022 to the present day.<\/p>\n\n\n\n

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Self Employment<\/h2>\n\n\n\n

I became self-employed in 2021, which opened up many and varied opportunities to incorporate my own creativity.<\/p>\n\n\n\n

I work to commission, offering a unique and bespoke service.<\/p>\n\n\n\n

I also produce high-quality \u2018off-the-peg\u2019 products. <\/p>\n\n\n\n

I will be showcasing my work for the first time, at the York Open Studios<\/a> in April 2025.<\/p>\n\n\n\n

Two complimentary medium will be on display at this event; traditional stained glass, and polymer clay creations. <\/p>\n\n\n\n

Both highlight my love of colour, pattern, and processes. The kaleidoscope effect of rose windows and complex tracery patterns from medieval cathedral construction, forms the basic structure of my designs.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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YORK OPEN STUDIOS 2026<\/strong><\/p>\n\n\n\n

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I am very proud to be able to showcase my work for the second time, at the York Open Studios<\/a>, in April 2026.<\/p>\n\n\n\n

Two complimentary medium will be on display at this event; traditional stained glass, and mosaic work.<\/p>\n\n\n\n

Both highlight my love of colour, pattern, and processes.<\/p>\n\n\n\n

The kaleidoscope effect of rose windows and complex tracery patterns from medieval cathedral construction, form the basic structure of my designs.<\/p>\n\n\n\n

Sat. 18th <\/sup>& Sun. 19th<\/sup> APRIL, and<\/p>\n\n\n\n

Sat. 25th<\/sup> & Sun. 26th<\/sup> APRIL 2026<\/p>\n\n\n\n

Venue No. 66<\/strong>, 29 Marygate, York, YO30 7DR<\/p>\n\n\n\n

PLEASE DO COME AND SAY HELLO!<\/strong><\/p>\n\n\n\n

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Find out more<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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EMAIL ME <\/strong><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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INSTAGRAM<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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LINKEDIN<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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FACEBOOK<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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COMMISSION ME!<\/strong><\/strong><\/p>\n\n\n\n

I produce ‘off-the-peg’ pieces, but you can also commission me to make bespoke pieces.<\/strong><\/p>\n\n\n\n

Please get in touch if you would like to know more! <\/strong><\/p>\n\n\n\n

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CONTACT ME<\/strong><\/a><\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n
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My background Training After graduating from my first degree in 3D Design: Glass in 1994, I started the beginning of my working life at Norgrove Stained Glass Studios in Worcestershire. Over the following six years I learnt and honed my stained-glass craft skills there, and developed a great appreciation for the quality hand-made glass we … <\/p>\n

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